Trelawny Of The Wells
a play by Arthur Wing Pinero
Directed by Laurie Heatherington
December 1998
Thursday 3rd at 7.45 pm
Friday 4th at 7.45 pm
Saturday 5th at 7.45pm
The action takes place in London in the early 1860s
Act 1
A Lodging House in Brydon Crescent, Clerkenwell, May
Act 2
Sir William Gower's Residence, Cavendish Square, June
Act 3
Again at Brydon Crescent, December
Act 4
On the stage of the Pantheon Theatre, a few days later
Theatrical Folk (Members of the Company of the Sadlers-Wells Theatre) | |
Tom Wrench | Spencer Clayton |
Mrs Telfer | Mari I'Anson |
James Telfer | Laurie Heatherington |
Augustus Colpoys | Paul Sparks |
Ferdinand Gadd | Stewart Shrank |
Avonia Bunn | Judith Shrank |
Rose Trelawny | Fiona Soutar |
(Of the Olympic Theatre) | |
Imogen Parrot | Jessica Mori |
Non-Theatrical Folk | |
Mrs Mossop | Margaret Johnson |
Mr Ablett | Stephen Sewell |
Sarah | Ann Hefford |
Sir William Gower | Alan Jobson |
Miss Trafalgar Gower | Sally Martin |
Arthur Gower | Nick Johnson |
Clara | Natalie Besate |
Captain De Foenix | David Constable |
Charles | Stephen Sewell |
Members of The Company of the Pantheon Theatre | |
O'Dwyer | Mike Sparks |
Mr Denzil | David Constable |
Miss Brewster | Betty Robertson |
Hall Keeper | Ann Hefford |
Production Team | |
Director | Laurie Heatherington |
Stage Managers | David Constable |
Mike Sparks | |
Set Design | John Savage |
Set Construction | John Savage |
John Parnwell | |
Members of the Company | |
Costumes | Pat Isaacs |
Jenny Sparks | |
Irene Sparks | |
Lighting | Chris Newton |
Brian Clayfield | |
Sound | David Constable |
Properties | Vera Mitchell |
Beryl Hughes | |
Poster Design / Programme | Nick Johnson |
Original Music | Mike Sparks |
Prompter | Betty Robertson |
Box Office | Betty Burgess |
Front of House | Eileen Parnwell |
John Parnwell |
Programme Notes
Arthur Wing Pinero (1855-1934) wrote 'Trelawny of the Wells' in the late 1890s, looking back at the 1860s when plays made no attempt at realism. The character of Tom Wrench is based upon Tom Robinson, who was the first realist playright. Imogen Parrot is based upon Marie Wilton, an actress at the fashionable Olympic Theatre, who later bought and restored the Queen's Theatre in Oxford Street, renaming it the Prince of Wales (the Pantheon in the play). Actors played stock characters, for instance General Utility, the humblest of parts, and Low Comedian. They would not rehearse a complete text, merely have their own lines written down, known as a 'Part'. Edmund Kean was the foremost English tragic actor of the nineteenth century. His son, Charles, was also an actor-manager (hence the reference to 'Which Kean?').